Falout Nada

— slikarica, grafička dizajnerica
(1933., Zagreb — 2012., Zagreb)

Nakon diplome 1959. na zagrebačkoj Akademiji likovnih umjetnosti bavi se slikarstvom, a od 1968. i grafičkim dizajnom. Djeluje kao likovni terapeut u Bolnici za duševne bolesti Jankomir te osniva prvu znanstvenu grupu za psiho-socijalni rad i radnu terapiju. U Londonu je na studijskom boravku 1971., a prvo radno iskustvo stječe kao grafički dizajner u robnoj kući NAMA gdje oblikuje propagandne materijale. Istovremeno surađuje s vodećim zagrebačkim kazalištima pa tako od 1978. za Gavellu oblikuje plakate i programske knjižice služeći se tehnikom kolažiranja i tiskane fotografije. U suradnji s HNK između 1984. i 1989. stvara plakate specifičnog stila i formata. Kao stalni vanjski suradnik izdavačke kuće Školska knjiga oprema knjige od 1988., a zaslužna je i za oblikovanje rječnika te stručnih knjiga i publikacija. Grafičkim dizajnom bavi se do kraja života razvijajući logotipe za brojne tvrtke, kulturne i sportske ustanove.

Dizajn plakata za Hrvatsko narodno kazalište, Zagreb

1984.:
Otelo, W.Shakespeare
Ščelkunčik, P.I.Čajkovski
Don Pasquale, G.Donizetti
Kupido, I.Bakmaz

1985.:
Majstor i Margarita, M. Bulgakov
Trubadur, G.Verdi
Na kraju Puta, M.Matković
Antigona Sofoklo
Labuđe jezero, P.I.Čajkovski
Krajnosti, W.Mastrosimone
Tri sestre, T.Prošev.V.Dedović Kor.V.Dedović Rež.Kor M. Šparemblek
Carmina krležijana, F.Parać-M.Šparemblek
Peh pod krovom, P. Kohout Redatelj D. Torjanac

1986.: Madame Butterfly, G.Puccini Redatelj Stanko Gašaparović
Macbeth G.Verdi, Redatelj Petar Selem
Orfej i Euridika, CH.W.Gluck, Redatelj Vladimir Habunek
Giselle, Adolphe Adam, Koreograf Attilio Labis

1987.:
Seviljski brijač, G.Rossini

zatvori

English

Falout Nada — painter and graphic designer
(1933, Zagreb — 2012, Zagreb)

Having graduated at the Zagreb Academy of Fine Arts in 1959, Falout pursues a career in painting and additionally starts working in graphic design in 1968. She works as a visual therapist at the Jankomir Psychiatric Hospital in Zagreb and establishes the first scientific team for psychosocial work and work therapy. In 1971, she stays in London on a study visit. She gains her first work experience as graphic designer at the NAMA department store, where she designs marketing materials. She simultaneously cooperates with the leading Zagreb theatres, e. g. designing posters and program brochures for the Gavella Drama Theatre, employing the collage technique, as well as making use of printed photographs. From 1984 to 1989, in cooperation with the Croatian National Theatre (HNK), she produces uniquely styled and formatted posters. As a permanent subcontractor for the Školska knjiga publishing company from 1988, she designs book layouts but also dictionaries, technical literature and publications. She works in graphic design until the end of her life, developing logotypes for numerous companies, as well as cultural and sports institutions.

Poster design for the Croatian National Theatre, Zagreb

1984:
Othello, W. Shakespeare,
The Nutcracker, P. I. Tchaikovsky
Don Pasquale, G. Donizetti
Kupido, I. Bakmaz

1985:
The Master and Margarita, M. Bulgakov
The Troubadour, G. Verdi
Na kraju puta (“At the End of the Road”), M. Matković
Antigone, Sophocles
Swan Lake, P. I. Tchaikovsky
Extremities, W. Mastrosimone
Three Sisters, T. Prošev, directed by V. Dedovič, choreography by V. Dedovič/M. Šparemblek
Carmina Krležijana, F. Parać – M. Šparemblek
Bad Luck under the Roof, P. Kohout, directed by D. Torjanac

1986:
Madame Butterfly, G. Puccini, directed by Stanko Gašparović
Macbeth, G. Verdi, directed by Petar Selem
Orpheus and Eurydice, Ch. W. Gluck, directed by Vladimir Habunek
Giselle, Adolphe Adam, choreography by Attilio Labis

1987:
The Barber of Seville, G. Rossini

zatvori